At this point we had completed the “Sculptural Analysis” portion of our 3rd studio semester – now it was time to dive into the second portion: designing an artist residency. This section of the class consisted roughly of two phases – one before our midterm, and the other between midterm and finals. The first of these two (phase 2 of the semester), was driving mainly through our exploration of a “parti”. This included attempting to interpret what a parti consisted of and how such a system might integrate into our previous sculptural explorations of phase 1.
But before we could begin any of this, first we needed a site. This particular artist residency was set to occupy a space at the near-by Storm King Art-Center. Located in New Windsor, NY (~2 hours south of Troy, NY / RPI), Storm King is essentially a sculpture garden, but laid out over nearly 500 acres of woods and fields. Most of the sculptures are permanent to their site, with many built/designed by the artist specifically for Storm King. Currently their exhibit boasts over 100 sculptures, including pieces by noted artists Alexander Calder, Louise Nevelson, Henry Moore, Richard Serra, Andy Goldsworthy, Sol LeWitt, and Roy Lichtenstein. You can find out more at their website: http://www.stormking.org/
For our particular section, we were instructed to choose a site situated near the main museum building. This was intended partly for ease of access, but also because the museum building sits on a hill overlooking the rest of the fields, and working with such a hill would require us to take into consideration other landscape factors.
Part 2 of this post will discuss my approach to choosing a preliminary parti /organizational system for the residency.