The first stage of our overarching “Artist Residency” studio project took the form, as stated in the previous post, of sculptural analysis and exploration. This began with each section critique assigning to their students different sculptural works from a particular sculptor. Prof. Andrew Saunders, my section professor, chose the Russian Constructivist brothers Antoine Pevsner and Noam Gabo. After running through a couple of options, I finally settled on Pevsner’s Developable Column, which he made in 1942 and currently resides in one of MOMA’s collections.
With our sculptures, we were tasked with the envisioning and interpreting of the form through any resources we could gather (mainly photographs). This meant modeling the sculpture in 3D software – mainly Rhino, with some Grasshopper (a parametric rhino plug-in) as we were introduced to it. We then produced various analytical drawings from these Rhino models, showing various things like it’s imagined construction, diagramatic views, and even attempted renderings (w/ basic materiality). These came about after about 1.5 weeks into the project.